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Tracy Satchwill

Tracy Satchwill Tracy Satchwill Tracy Satchwill


Tracy Satchwill

Tracy Satchwill Tracy Satchwill Tracy Satchwill
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Collages, 2024- 2025

A collage series exploring the mythic, rebellious and monstrous feminine. Some works reflect personal experiences, while others consider the inner monster and questions of power reclaimed.

The Enlightenment, collage, 2024 

420 x 582 mm

Moving Forward, collage, 2024 

420 x 582 mm

There's Something Wrong with Me, collage, 2024 

297 x 409 mm

Nothing, collage, 2024 

409 x 297 mm

Lost, collage, 2024 

297 x 210 mm

Where are you?, collage, 2024 

297 x 210 mm

Keep Still, collage, 2024 

297 x 210 mm

Don't Fuss, collage, 2024

297 x 210 mm

Wide Awake, collage, 2024 

297 x 210 mm

Don't Be So Silly, collage, 2024 

409 x 297 mm

Here I Come, collage, 2024 

409 x 297 mm

Nitpicker, collage, 2024 

409 x 297 mm

Who's Afraid of the Wolf? Series, collage, 2024

In these collages, familiar fairy tale narratives are reimagined through feisty female protagonists and rebellious titles that challenge passive or victimised roles.

Forget the Goddamn Ball, 2024 

   409 x 297 mm 

Forget the Goddamn Apple, 2024 

   409 x 297 mm 

Forget the Goddamn Prince, 2024 

   409 x 297 mm 

I'm Not Afraid, collage, 2024 

297 x 210 mm

Forget the Goddamn Hair, 2024 

   409 x 297 mm 

Who's Afraid of the Wolf?, collage, 2024 

297 x 210 mm

The Mighty Beasts series, collage, 2024

A selection of vulva collages delves into the symbolism of female power. Embedded within each composition are signs of strength, energy, beauty and wisdom. These sanctuaries bloom with flowers and jewels, yet are guarded by weapons, barriers and even CCTV, protecting against unwanted intrusions.

Vitality, digital collage, 2024 

30 x 30 cm

Mighty, digital collage, 2024 

30 x 30 cm

Resistance, digital collage, 2024 

30 x 30 cm

Dominion 1, digital collage, 2024 

60 x 60 cm

Dominion 3, digital collage, 2024 

60 x 60 cm

Dominion 2, digital collage, 2024 

60 x 60 cm

We Are Longing to Dance Series, collage, 2024

These works explore women’s self-expression under conflicting social expectations. Female figures are titled with virtue names traditionally given to girls, revealing tensions between conformity, repression and the desire for autonomy and escape.

'To watch us dance is to hear our hearts speak'.

Hopi Indian saying

Joy, collage, 2024 

409 x 297 mm

Tace, collage, 2024 

409 x 297 mm

Prudence, collage, 2024

409 x 297 mm

Mercy, collage, 2024 

409 x 297 mm

Grace, collage, 2024 

409 x 297 mm

Hope, collage, 2024

409 x 297 mm

Modesty, collage, 2024 

409 x 297 mm

Honor, collage, 2024 

409 x 297 mm

Verity, collage, 2024 

409 x 297 mm

The Devil You Know, collage series, 2024

In The Devil You Know, the figure of the monstrous, childless woman is reclaimed. Once cast as destroyers in classical tales, these characters are reimagined as powerful, disruptive, and outside the bounds of nurture and compliance.

Come to Mama, collage, 2024 

582 x 420 mm

Mummy's Little Girl, 2024 

582 x 420 mm

Fresh and Crunchy, collage, 2024 

   582 x 420 mm

'To deviate in any way from the prescribed motherhood narrative is to be made a monster, a destroyer of children.'

Jess Zimmerman

Burn the Bitches Series, collage, 2024

The Burn the Bitches series confronts the cultural vilification of unruly women — those deemed monstrous, deviant or dangerous. These collages reframe them as unapologetically powerful beings, challenging the narratives that have historically silenced or punished their difference.

First Bitch, 2024 

409 x 297 mm

Second Bitch, collage, 2024 

409 x 297 mm

Third Bitch, collage, 2024 

409 x 297 mm

Fourth Bitch, collage, 2024 

409 x 297 mm

Fifth Bitch, collage, 2024

409 x 297 mm

Sixth Bitch, collage, 2024

409 x 297 mm

Seventh Bitch, collage, 2024

409 x 297 mm

Eighth Bitch, collage, 2024

409 x 297 mm

Nineth Bitch, collage, 2024

409 x 297 mm

 ‘Being the monster feels powerful. They don’t need to be nice. They can unsettle people just for being different, for not fitting in.’

Tracy Satchwill

Copyright © 2025 Tracy Satchwill - All Rights Reserved.

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