Responding to Normanby Hall’s Regency objects, furniture and interior, Tracy Satchwill reflects on the domestic servants’ roles, status, and identity. She draws inspiration from her interest in female power and the hall’s elaborate patterns and high-status objects, to create a body of work that focuses on the stories of maidservants.
Inspired by the history and aesthetics of the house, grounds and gardens, the artist creates the exhibition That’s Not My Name, comprising a selection of films, large-scale collages and AR experiences, that bring maids to the forefront and communicate their visibility and significance.
In the experimental film, Idleness is a Great Source of Evil, Satchwill explores the privileged classes’ power structure, reflecting on the social injustices of the working people. She creates a narrative where the maid discovers her sense of self, takes ownership of her power and haunts the residents. The film fuses various techniques, including stop motion, green screen, location shots, CCTV footage, collage animation with text, photography, and mark-making to create a disturbing world that communicates both to the residents in the film and the audience. The film received an Honourable Mention from the Experimental Forum for its vision and unique contribution to cinema.
In the animated film, Nancy, Satchwill builds a dream-like world, where the maid playfully pushes against the hierarchal boundaries to live for a short time in the privileged world.
Other works include Little Women, a triptych collage that depicts the beauty and splendour enjoyed by the mistress, who is unaware of the maids busily working in the background. In the large-scale collage, No One in Particular and the floor artwork, young women are revealed behind decorative designs, with the use of an augmented reality app.
The work was created during an artist residency at Normanby Hall, Lincolnshire, in which the artist was invited to produce a series of artworks that would interpret the collection in new and exciting ways. The project was generously supported by North Lincolnshire Council and Arts Council England through the Humber Museums Partnership.
New artwork was commissioned in 2023 to include a wall collage installation.
There's really no such thing as the 'voiceless'. There are only the deliberately silenced, or the preferably unheard.
Arundhati Roy, Author
'It has been an incredible experience to work with Tracy during her artist residency at Normanby Hall. She has put her heart and soul into the research, understanding, interpretation and display of her final work, which is bold and beautiful.
Visitors are enjoying a different interpretation of the story of female servants, and immersing themselves in a thought-provoking and challenging exhibition, which opens up the possibilities for deeper conversation.'
Madeleine Gray, Curator, Normanby Hall
A maid resists against the established world and there's a shift in power
A new world where everyone can be transformed and become someone else
Through an AR app maids are revealed
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